Recent Posts

3.0
When the Paint Speaks: How Rosemary Vasquez Tuthill Brings Protest Imagery to Life
3.0
Visual Noise: How Revolutionary Art Was Designed to Disrupt
3.0
Unnamed but Unforgotten: The Hidden Hands Behind Revolutionary Colors
3.0
Typography as Tactics: The Visual Warfare of Revolutionary Print

Categories

3.0

Woodcuts and War Cries: How Art Stoked the Fire of Rebellion

Before America had a national anthem, it had visual noise - loud, rough, often carved...
3.0

Sacred Threads: The Moravian Sisters and the Silent Art of Revolutionary Faith

Not all Revolutionary artists shouted. Some whispered. In Bethlehem, Pennsylvania, a quiet group of women...
3.0

Sails, Stitches, and the Signal of Freedom: Margaret Manny at Sea and in Stitch

Long before official naval standards existed, ships in the American colonies needed to be seen....
3.0

Shadow and Flame: Painting Light into the American Story

Light is more than brightness on a surface. In painting, it's emotion. It's timing. It's...
3.0

Shapes of Meaning: Arches, Lines, and Visual Anchors in the 250th Mural

As a muralist, one of the most important tools I work with isn't the brush...
3.0

Stitching Standards: Rebecca Young and the Business of Revolutionary Flags

When people imagine flag makers of the American Revolution, they often picture a single figure...
3.0

Symbolic Strokes: Objects Hidden in Revolutionary Portraits

Not every revolution wears a uniform. Some slip onto a canvas quietly, disguised as a...
3.0

Taverns Town Squares, and the First Revolutionary Galleries

Revolutionary America did not yet have museums, but it had walls. It had windows, fences,...
3.0

The First Posters of Liberty: Art, Typography, and Symbol in Revolutionary America

Before there were stars on a flag or seals pressed in wax, there were bold...
3.0

The Fonts of Freedom: Type, Tension, and Revolutionary Design

Fonts are rarely silent. Even when they're not shouting in all caps, they're humming beneath...